Sebastiaan Bremer

  • Selected Exhibitions
    • New Portraits - 2022
    • I Am New Here - 2020
    • Nocturne - 2020
    • Here Comes The Sun - 2018
    • Ave Maria - 2017
    • Σπήλαιο (Spilaio) - 2015
    • Street Called Straight - 2015
    • Recording Studio A - 2015
    • Sebastiaan Bremer - 2013
    • Egmont Revisited - 2012
    • Nudes and Revolutions - 2011
    • Invasoes Holandeses - 2010
    • Small Wonders - 2009
  • Selected Works
    • Avila
    • Banquet
    • Bloemen
    • Cut Works
    • Early Works
    • Schoener Goetterfunken
  • Video
    • I Am New Here - 2020
    • Studio Visit - 2020
    • The Bricklayer's Son - 2010
  • Projects
    • The Blue School - 2019
    • Diamond Night - 2008
    • TSE Collaboration - 1999
    • Volume 1 (BNQT) - 2017
    • We Fall - 2019
  • Features
    • Blvd. - Nov. 2004
    • Discover Magazine - Summer 2007
    • Psychologies - June 2020
    • Rebel - fall/winter 2003/2004
    • Self-Service - Spring/Summer 2001
    • The New Yorker - March 2019
  • monographs
    • To Joy
  • Galleries
    • Edwynn Houk
    • Hales Gallery
    • Ron Mandos
  • Contact
    • Bio
    • CV
    • Instagram
    • New Portraits - 2022
    • I Am New Here - 2020
    • Nocturne - 2020
    • Here Comes The Sun - 2018
    • Ave Maria - 2017
    • Σπήλαιο (Spilaio) - 2015
    • Street Called Straight - 2015
    • Recording Studio A - 2015
    • Sebastiaan Bremer - 2013
    • Egmont Revisited - 2012
    • Nudes and Revolutions - 2011
    • Invasoes Holandeses - 2010
    • Small Wonders - 2009
    • Avila
    • Banquet
    • Bloemen
    • Cut Works
    • Early Works
    • Schoener Goetterfunken
    • I Am New Here - 2020
    • Studio Visit - 2020
    • The Bricklayer's Son - 2010
    • The Blue School - 2019
    • Diamond Night - 2008
    • TSE Collaboration - 1999
    • Volume 1 (BNQT) - 2017
    • We Fall - 2019
    • Blvd. - Nov. 2004
    • Discover Magazine - Summer 2007
    • Psychologies - June 2020
    • Rebel - fall/winter 2003/2004
    • Self-Service - Spring/Summer 2001
    • The New Yorker - March 2019
    • To Joy
    • Edwynn Houk
    • Hales Gallery
    • Ron Mandos
    • Bio
    • CV
    • Instagram
 
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View fullsize Blue Moon
View fullsize The water seller of Seville in the times of Corona
View fullsize Happy Father’s Day dear papi Theo. Belated but completely and totally.
View fullsize Repost from @inezandvinoodh
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The most fulfilling thing about starting @doubledutchcash ( apart from the prospect of putting cash in the pockets of the people who need it instead of more stuff and reduce waste at the same time) is being able to
View fullsize Lifesaver @doubledutchcash @inezandvinoodh @sophiebremerrr @andrea.lerner @zappytoby
View fullsize Today marks a year since my niece Veerle was hit on her bike by a car, and she made it out of it alive and well after many months of hospitals and therapy. Congratulations @veerleveerbeek and please, if and when you drive a car, be careful around ped
View fullsize
View fullsize I am new here #summertime
View fullsize Holy Paul the Hermit by way of Jusepe de Ribera makes a timely appearance.
View fullsize Motha? Yep. gloriously. @zappytoby @sophiebremerrr
View fullsize Repost from @houkgallery
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Sebastiaan Bremer’s “Nocturne” exhibition installed in the gallery
View fullsize Repost from @ubsglobalart
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A time to reflect on the importance of family.

Take inspiration from #UBSArtCollection artist Sebastiaan Bremer’s dream-like works. He paints on photographs of a family holiday, bringing to life the connection
View fullsize Repost from @houkgallery
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Sebastiaan Bremer, "Symphony Pathetique (Princesse Juliana)," 2016⁠⠀
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#EdwynnHoukGallery #SebastiaanBremer
View fullsize From @halesgallery @friezeartfair  is ROSE ANNE-METTE POULSEN, 2016 
19.69'' X 15.35'' X 1.26'' (50 CM X 39 CM X 3.2 CM) in her full spring of ages ago.