Sebastiaan Bremer

  • Selected Exhibitions
    • New Portraits - 2022
    • I Am New Here - 2020
    • Nocturne - 2020
    • Here Comes The Sun - 2018
    • Ave Maria - 2017
    • Σπήλαιο (Spilaio) - 2015
    • Street Called Straight - 2015
    • Recording Studio A - 2015
    • Sebastiaan Bremer - 2013
    • Egmont Revisited - 2012
    • Nudes and Revolutions - 2011
    • Invasoes Holandeses - 2010
    • Small Wonders - 2009
  • Selected Works
    • Avila
    • Banquet
    • Bloemen
    • Cut Works
    • Early Works
    • Schoener Goetterfunken
  • Video
    • I Am New Here - 2020
    • Studio Visit - 2020
    • The Bricklayer's Son - 2010
  • Projects
    • The Blue School - 2019
    • Diamond Night - 2008
    • TSE Collaboration - 1999
    • Volume 1 (BNQT) - 2017
    • We Fall - 2019
  • Features
    • Blvd. - Nov. 2004
    • Discover Magazine - Summer 2007
    • Psychologies - June 2020
    • Rebel - fall/winter 2003/2004
    • Self-Service - Spring/Summer 2001
    • The New Yorker - March 2019
  • monographs
    • To Joy
  • Galleries
    • Edwynn Houk
    • Hales Gallery
    • Ron Mandos
  • Contact
    • Bio
    • CV
    • Instagram
    • New Portraits - 2022
    • I Am New Here - 2020
    • Nocturne - 2020
    • Here Comes The Sun - 2018
    • Ave Maria - 2017
    • Σπήλαιο (Spilaio) - 2015
    • Street Called Straight - 2015
    • Recording Studio A - 2015
    • Sebastiaan Bremer - 2013
    • Egmont Revisited - 2012
    • Nudes and Revolutions - 2011
    • Invasoes Holandeses - 2010
    • Small Wonders - 2009
    • Avila
    • Banquet
    • Bloemen
    • Cut Works
    • Early Works
    • Schoener Goetterfunken
    • I Am New Here - 2020
    • Studio Visit - 2020
    • The Bricklayer's Son - 2010
    • The Blue School - 2019
    • Diamond Night - 2008
    • TSE Collaboration - 1999
    • Volume 1 (BNQT) - 2017
    • We Fall - 2019
    • Blvd. - Nov. 2004
    • Discover Magazine - Summer 2007
    • Psychologies - June 2020
    • Rebel - fall/winter 2003/2004
    • Self-Service - Spring/Summer 2001
    • The New Yorker - March 2019
    • To Joy
    • Edwynn Houk
    • Hales Gallery
    • Ron Mandos
    • Bio
    • CV
    • Instagram
       
     
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